Yura Kimakovych constructs forms as if they were engineered. Working between abstraction and figuration, he reduces the body to planes, angles, and tension — treating it less as an image than as a system under pressure. His forms remain controlled, yet never fully stable, existing between precision and collapse.
After years of working in geometric abstraction, Kimakovych began applying the same formal language to figurative subjects. Geometry becomes a means of questioning how the human form is perceived, remembered, and reconstructed.
Born in Ukraine and based between Kraków and Berlin, his work is held in private collections and has been exhibited internationally.